Abstract
This paper examines the price determinants of paintings in the Korean art market in the context of a hedonic price regression to investigate whether the hypothesis of the modified unit pricing system holds for the pricing of Korean modern and contemporary paintings. Using Korean auction data, I show that the parametric results provide overwhelming evidence that Korean art pricing does not function in accordance with the modified unit pricing scale. However, I re-examine this hypothesis using a semiparametric partial linear regression that does not require the prespecification of a functional form prior to estimation. Rather, the semiparametric approach allows the data to determine the exact form of the size-price profile. This result confirms that the modified unit pricing system applies to the Korean contemporary and modern painting market.
Similar content being viewed by others
Notes
In 2007, the average exchange rate was 1 USD = 1,102 KRW.
This measurement of painting size originated from the Impressionist period. According to Vincent van Gogh’s letter to his brother, Theo van Gogh, on August 21, 1888, Vincent referred to three canvas sizes—15, 25, and 30—for his painting of sunflowers.
This pricing system may be understood as a kind of block pricing in terms that the consumer pays one unit price for units consumed in the first block of output (size less than about 40 hoes) and a different price for units in the second block (size greater than about 40 hoes). However, it is not deterministic nor truly block as are prices of utilities. See Wilson (1993) for a more detailed discussion of block pricing.
For age, the price may reflect the artist’s most creative period or when important contributions to his style of painting were typically made. However, due to the limitation of data on the artist’s age when the painting was executed, I only consider the artist’s age at the time of sale.
References
Agnello, R., & Pierce, R. (1996). Financial returns, price determinants, and genre effects in American art investment. Journal of Cultural Economics, 20(1), 359–383.
Anderson, R. (1974). Paintings as an investment. Economic Inquiry, 12(1), 13–26.
Buelens, N., & Ginsburgh, V. (1993). Revisiting Baumol’s “Art as floating crap game”. European Economic Review, 37(7), 1351–1371.
Chanel, O. (1995). Is art market behaviour predictable? European Economic Review, 39(3–4), 519–527.
Chanel, O., Gerard-Varet, L., & Ginsburgh, V. (1994). Prices and returns on paintings: an exercise on how to price the priceless. The Geneva Papers on Risk and Insurance Theory, 19, 7–21.
Chanel, O., Gerard-Varet, L., & Ginsburgh, V. (1996). The relevance of hedonic price indices. Journal of Cultural Economics, 20(1), 1–24.
Choi, B. (2008). Trend of art market and investment, (written in Korean) Dongmunsun.
Czujack, C. (1997). Picasso paintings at auction, 1963–1994. Journal of Cultural Economics, 21(3), 229–247.
de la Barre, M., Docclo, S., & Ginsburgh, V. (1994). Returns of impressionist, modern and contemporary European paintings. Annales d’Economie et de Statisque, 35, 143–181.
Edwards, S. (2004). The economics of Latin American art: Creativity patterns and rates of return. Economia: The Journal of Latin American and Caribbean Economic Association, 4(2), 1–35.
Ginsburgh, V., Mei, J., & Moses, M. (2006). The computation of prices indices. In V. Ginsburgh, & D. Throsby (Eds.), Handbook of the economics of art and culture (pp. 948–979). Amsterdam: North-Holland.
Halversen, R., & Palmquist, R. (1980). The interpretation of dummy variables in semilogarithmic equations. American Economic Review, 70(3), 474.
Higgs, H., & Worthington, A. (2005). Financial returns and price determinants in the Australian art market, 1973–2003. The Economic Record, 81(253), 113–123.
Hodgson, D., & Vorkink, K. (2004). Asset pricing theory and the valuation of Canadian paintings. Canadian Journal of Economics, 37(3), 629–655.
Renneboog, L., & Van Houtte, T. (2002). The monetary appreciation of paintings: From realism to Magritte. Cambridge Journal of Economics, 26, 331–357.
Robinson, P. (1988). Root-N-consistent semiparametric regression. Econometrica, 56(4), 931–954.
Seckin, A., & Atukeren, E. (2009). Investment characteristics of the market for paintings in Turkey: 1990–2005. Investment Management and Financial Innovation, 6(2), 7–14.
Wilson, R. (1993). Nonlinear pricing. New York: Oxford University Press.
Worthington, A., & Higgs, H. (2006). A note on financial risk, returns and asset pricing in Australian modern and contemporary art. Journal of Cultural Economics, 30(3), 73–84.
Acknowledgments
The author is grateful for the valuable comments of Lawrence White and participants at the seminar.
Author information
Authors and Affiliations
Corresponding author
Rights and permissions
About this article
Cite this article
Nahm, J. Price determinants and genre effects in the Korean art market: a partial linear analysis of size effect. J Cult Econ 34, 281–297 (2010). https://doi.org/10.1007/s10824-010-9126-y
Received:
Accepted:
Published:
Issue Date:
DOI: https://doi.org/10.1007/s10824-010-9126-y